Portrait of a Pacifist

Lain Hart
2 min readNov 11, 2022
A carved limestone figure of Japanese pacifist Toyohiko Kagawa, originally sculpted by artist Frederick Hart. The figure wears an expression of understanding, his hands held forward, and partially open, as if in a gesture of giving. The figure is positioned in an arched niche in the center of the stone wall of the cathedral.
Statue of Toyohiko Kagawa, a niche figure located on the north outer aisle of the nave at Washington National Cathedral. Sculpted in 1971 by Frederick Hart. Washington National Cathedral.

In 1888, Toyohiko Kagawa was born in Kobe, Japan. His childhood was marred by suffering and grief. When he got older, Kagawa became a Christian, and dedicated himself to serving the poor in the neighborhood where he lived.

Kagawa then spent two years in the United States, studying at Princeton Theological Seminary. In addition to theology, Kagawa pursued a lifelong interest in science. While at Princeton, he took classes in embryology, genetics, anatomy, and paleontology.

When he returned to Japan, Kagawa continued to serve poor and working-class people. At the same time, he acquired more and more stature as a writer and activist. In 1928, he organized the National Anti-War League, and throughout the 1930s, he spoke out against the rise of militarism and nationalism in Japan. In addition to being a high-profile advocate for peace, Kagawa was also a vocal proponent of women’s suffrage.

Twice Kagawa was arrested as a labor agitator. Once, in 1940, he was arrested for publicly apologizing to China for the Japanese invasion.

As the best available method for bringing about world peace, Kagawa believed in cooperative economics. To help achieve this, Kagawa founded hundreds of schools and cooperatives, including medical cooperatives and cooperative hospitals. Several of the cooperatives Kagawa founded still exist today.

In 1971, my father, Frederick Hart, paid homage to the Japanese activist by recreating his likeness in sculpture. A stone version of this sculpture was later placed in a niche at Washington National Cathedral, where it can still be seen to this day.

Looking down on the roof of the cathedral, and at the backs of the two front towers, the cathedral grounds far below fill most of the picture. Apartment blocks and other modern buildings appear at the top of the picture, just below the horizon.
View from the main tower of Washington National Cathedral. Reuters.

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